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Mastering Chess is a unique book in that it covers the essentials which every aspiring chess player must know well (from Novice to Expert) to reach the chess Master level. The first edition was popular for some 20 years (from 1985 - 2005) while in print with four different publishers. It has been rated one of the five best chess books of its kind. Each Chapter of this new edition has new material added and the book has essentially doubled in size. Each Chapter includes new Exercise positions with solutions. Besides being a self-study self help book, it was designed for chess teachers and chess courses. First there is a spritely written 1st Chapter on Tactics and Combinations by Geoff Chandler of Edinburgh Scotland. Mr. Chandler has updated his popular work with observations of play and missed opportunities from Internet play. The 2nd Chapter introduces a new author (Life Master Ian Harris) and a new approach to how openings can be learned. It presents Dr. Kopec's idea that openings can be learned from the perspective of the following five goals: 1) Development 2) Center Control 3) King Safety 4) Space and 5) Material Balance. Dr. Kopec has been espousing this idea for a number of years in his lectures and chess camps. If effective, it is a novel way of teaching a subject that entails volumes and volumes of books over a number of centuries! Mr. Harris has developed this Chapter spanning some 50 pages in conjunction with Dr. Kopec. Dr. Kopec has added new material to his Chapter 3: How To Analyze a Position including lessons on the topics: The Point Count Method, Grand Central Station, and Don't Believe Everything Your Computer Tells You. New exercises have also been added at the end of this Chapter. Chapter 4 (by Chris Morrison) has also been extended with an additional lesson entitled "Good and Bad Pieces" and number of additional exercises. Chapter 5 (by the late Ian Mullen) has been extended with a lesson entitled "More Advanced Endings". This Chapter has always proven very useful for teachers and courses on the endgame. The material is suitable for players from Novice to Master! There are also additional exercises for this chapter. Finally, there is a new Appendix B: including Mastery Lessons by the World Champions which presents games by World Champions illustrating their skill in at least one of the five Chapters of the book: 1) Tactics and Combinations 2) Opening Principles and Ideas 3) How to Analyze a Position 4) How to Formulate a Plan and 5) Essential Endgame Knowledge.

• Sales Rank: #1484423 in Books
• Brand: The House of Staunton, Inc.
• Published on: 2014-12-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .69" w x 8.00" l, 1.19 pounds
• Binding: Paperback
• 270 pages

Features

• Author: Danny Kopec
• Pages: 348
• Publication Years: 2013

About the Author
Daniel Kopec (1954-2016) was an American chess International Master, author, and computer science professor at Brooklyn College. He graduated from Dartmouth College in the class of 1975. Kopec later received a PhD in Machine Intelligence from the University of Edinburgh. With Ivan Bratko he was the creator of the Bratko-Kopec Test, which was one of the de facto standard testing systems for chess playing computer programs in the 1980s. Kopec was one of the most talented home-bred players in the US. Dr. Kopec was New York High School Champion at 14, National Master at 17, Scottish Champion in 1980, 2nd-equal in the Canadian Closed in 1984, and International Master in 1985. He was an active player, journalist, writer, chess educator and scholar. His competitive results with top-flight chess professionals were remarkable. He delivered many chess courses, lectures, published seven highly recognized chess books, and developed eight highly regarded instructional videos (18.5 hours). Over the past 16 years Kopec’s Chess Camp, had become world renowned. In parallel with his chess career, Dr. Kopec had pursued an academic career in computer science with research in artificial intelligence, software methodology, and computer science education. For more than 20 years Kopec tested and evaluated hundreds of human and machine chess players in the UK, Canada, and US in order to quantify their overall chess strength, their specific deficiencies and definite abilities. In bridging his chess and academic interests, Kopec developed a reputation as perhaps the world’s greatest exponent of chess knowledge.

Most helpful customer reviews

3 of 3 people found the following review helpful.
An Outstanding Chess Course!
By Lenny
MASTERING CHESS, by IM Danny Kopec et al., is indeed in its second edition, but it is also in the fourth printing thereof. As of this writing, I actually possess both the latest rendition and the earlier second printing. I am delighted to report that some of issues identified with the earlier release/releases have indeed been addressed, beginning with the “dot matrix font” to which “Voltron” alluded in his earlier review below. Moreover, the book has also been expanded somewhat to 288 pages.

Of course, a single volume cannot possibly teach everything one needs to know about chess, yet Kopec and his colleagues do an admirable job presenting so much vital material – tactics, strategy, and even specific theoretical principles for openings and endgames. The material is presented clearly, with precise explanatory comments and excellent illustrations from either contrived positions or specific games. Moreover, the authors provide a set of exercises at the end of each chapter, including four new tests added for the second edition. The problems cover a vast range in difficulty, from tactics I could solve at a glance to various positions that perhaps even grandmasters may not have understood as well as they should have. [Having flubbed one set miserably, I shall obviously need to study to those chapters more carefully!]

While I find the entire work most valuable, I must call specific attention to Lessons 17-21 of Chapter 4, which address the problem of “How To Formulate A Plan.” So many club players reach tolerably good positions but suddenly come to the realization they don’t have any idea how to proceed. I heartily recommend this section to those who have ever stared at the board and felt utterly “clueless”!

All told, I am completely satisfied with this latest printing of the second edition. Problems with the print or font have been addressed, and the material is absolutely excellent. IM Kopec is perhaps too modest in his “Introduction,” in which he suggests the work is “geared toward the club player (1450-1750). I would extend that rating strength through Class A (1999 USCF rating). I truly wish I had had such a text 50-odd years ago!

3 of 3 people found the following review helpful.
Good for begginers or someone new to the game.
By Voltron
This reminds me of the book idiots guide to chess, but in a lecture format that covers a bit more topics. This book is probably best suited for Chess coaches who teach at yhe scholastic level and want a guide. .or a self learner who is learning about chess for the first time, It will cover all essential knowldge begginers should know, like basic tactics, combinations, pawn structures, development. The chapter has excercises at the end and also has move by move discussion of a game. My only real issue with the book is the font. The book I have is 2013 version but it uses a dot matrix font which makes its harders on the eyes, so i deducted a star for quality of the print. Overall nice book for begginers, and chess instructors looking for a guide. Stronger players may not like this book. I have attached a picture of the font used in the book.

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Afghanistan is a land ripped apart by unending warfare. Inside this seething cauldron of violence, Rafe Stoner, a former Navy SEAL, maintains a precarious existence. His business, selling surplus machinery, is a cover for his real work. Stoner is a gun for hire, and his services are in constant demand.

When a CIA agent offers him a small fortune to take on a contract, he smells trouble. The job is almost suicidal. They want him to risk everything to rescue an operative. An Agency sniper, trapped and threatened with a horrific death at the hands of a notorious drug lord and his army of fanatical fighters.

Helped by his old friend, the Russian Greg Blum, they head for the town of Khost. Ahead of them, a horde of Taliban veterans. Men sworn to bring about the death of Americans. Stoner and Blum become enmeshed in a vicious battle that threatens them with a violent and bloody end. For the drug lord has a hobby. Extreme torture. Capture would result in an unspeakable and agonizing death.

This is an incredible story of tough, violent men in a tough, violent land. Black-Ops: Heroes of Afghanistan Retribution is by the bestselling author of many Special Ops novels. These include the popular SEAL Team Bravo stories, the Raider series, Echo Six, and a number of Devil's Guard titles.

• Sales Rank: #159764 in eBooks
• Published on: 2015-10-08
• Released on: 2015-10-08
• Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
Great military action adventure story
By TFLReader
I love military fiction and particularly those stories that are fast-paced and full of action. I just stumbled upon author Eric Meyer and was thrilled with the first of his books that I've had a chance to read, "Black Ops Heroes of Afghanistan". The story of an undercover rescue mission of a CIA operative, this is a harrowing tale behind enemy lines. The main character, Rafe Stoner, is both tough and likable and the action that he sees with his sidekick, Greg Blum, felt very real to me. A great read that has me wanting more. Recommended.

0 of 0 people found the following review helpful.
Exciting and quite well written
By Lucidity
Of course, with these kind of books, a fast-paced plot filled with plenty of action and twists and turns is absolutely essential; in this regard, I think the author has it spot on. Besides that, I also found the dialogue in Eric Meyer's book to be especially well-structured and it does a great job of helping portray the characters in a way that makes the majority of them seem dynamic and far from two-dimensional. I’d be more than willing to bet that the author has had quite some extensive military experience, as it seems to be evident through the accuracy and detail throughout the writing, which is probably influential in regard to the aforementioned.

Admittedly, I did find a few scenes and interactions between people to be a bit over-the-top and maybe playing on the warfare theme a little too much- but only a few parts stood out to me in this way.

I’d recommend this real to anyone looking for a raw, gritty and immersive story that flows nearly from start to finish due to great writing style; I’m a big fan of war thrillers in general, and found Black Ops to be quite satisfying.

0 of 0 people found the following review helpful.
Stoner and a Sniper...
By Douglas Barrow
Stoner gets hired to do a job and of course his pal Greg gets roped into it and then off they go into another battle through the streets and countryside of Afghanistan. Things quickly get out of control and eventually Stoner's two Desert Eagles get plenty of play time as drug lord thugs, corrupt police and other badies go down in the onslaught. Another fine read by Mr. Meyer.

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The reliability engineer is a professional who understands the principles of performance evaluation and prediction to improve product/systems safety, reliability and maintainability. The structure of this book is based on that of the Body of Knowledge specified by ASQ for the Certified Reliability Engineer, which includes design review and control; prediction, estimation, and apportionment methodology; failure mode effects and analysis; the planning, operation and analysis of reliability testing and field failures, including mathematical modeling; understanding human factors in reliability; and the ability to develop and administer reliability information systems for failure analysis, design and performance improvement and reliability program management over the entire product life cycle. Study questions have been provided on an accompanying CD-ROM, listed by Parts (I VII) of the Body of Knowledge. A simulated exam approximately half the size of the actual exam, with questions distributed (Parts I VII) approximately proportional to the information contained in the Body of Knowledge, has also been provided.

• Sales Rank: #340257 in Books
• Brand: Brand: Quality Press
• Published on: 2013-01-22
• Original language: English
• Number of items: 1
• Dimensions: 10.25" h x 7.50" w x 1.25" l, 2.00 pounds
• Binding: Hardcover
• 360 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

3 of 3 people found the following review helpful.
Prep for CRE test
By Ellen
The book is an excellent source to prepare for the CRE test. The author Hugh Broome teaches the CRE class for ASQ.

2 of 2 people found the following review helpful.
Good Quick Reference
By Charlie Sumrell
Very good reference for beginner and intermediate quick solutions.

0 of 1 people found the following review helpful.
Very good quality
By JC81
Quick, in excellent quality and exactly as pictured.

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Latino USA represents the culmination of Ilan Stavans’ lifelong determination to meet the challenges of capturing the joys, nuances, and multiple dimensions of Latino culture within the context of the English language. In this cartoon history of Latinos, Stavans also seeks to combine the solemnity of so-called “serious literature” and history with the inherently theatrical and humorous nature of the comics.

Stavans represents Hispanic civilization as a fiesta of types, archetypes, and stereotypes. These multiple, at times contradictory voices, each narrating various episodes of Latino history from a unique perspective, combine to create a carnivalesque rhythm, which is democratic and impartial. Latino USA, like the history it so entertainingly relates, is a dazzling kaleidoscope of irreverence, wit, subversion, anarchy, politics, humanism, celebration, and serious and responsible history.

• Sales Rank: #166707 in Books
• Published on: 2012-04-03
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 7.50" w x .75" l, .90 pounds
• Binding: Paperback
• 240 pages

Amazon.com Review
If it's a comic book, then it can't be a work of serious scholarship, right? Wrong. Ilan Stavans, a literary scholar and cultural historian, teams up with Chicano artist Lalo Alcaraz to craft an endlessly entertaining but painstakingly researched history of Latinos--also called Latin Americans and Hispanics, and taking in peoples from all over the Spanish-speaking world--in the United States. Stavans's text covers the ground from avocados to zoot suits, touching on such matters as the Puerto Rican independence movement, the Mexican American War, the Marielito flotilla, and the ongoing struggle for civil rights throughout the hemisphere.

Stavans has great fun, it's clear, twitting received wisdom. He observes, for instance, that Mexico's "Niños Heroes" may be an invention of folklore, and wryly remarks that "nationalism turns egotism into an ideology." Alcaraz has just as much fun, subversively borrowing stock figures such as the toucan (a symbol in much Latin American literature) and the skeleton to serve as a kind of ironic Greek chorus. But author and illustrator also fulfill an earnestly undertaken mission: namely, in Stavans's words, to "represent Hispanic civilization as a fiesta of types, archetypes, and stereotypes" and to tell its story from many points of view. In this they succeed admirably, and Latino U.S.A. is required reading for anyone interested in democratic, inclusive historical writing. --Gregory McNamee

Review
". . . Latino's kaleidoscopic perspective bubbles with an irreverent mix of Latin politics, wit, self-reference and sincerity." -- San Antonio Express-News [September 1, 2000]

". . . an amusing comic book that outlines the salient features of U.S. Latino history." -- Houston Chronicle [November 1, 2000]

"....a cartoon history for everyone: ...witty and inviting." -- Kirkus Reviews [October 1, 2000]

"Latino USA explores these and similarly serious questions in entertaining cartoon form." -- Austin American-Statesman [October 30,

"Read this primer if you don't want to be left out." -- The

About the Author
Ilan Stavans is a Mexican-born essayist and cultural critic and the author of over 20 books. Since 1993 he has been on the faculty at Amherst College, Massachusetts, where he is the Lewis-Sebring Professor in Latin American and Latino Culture. He has also taught a various other institutions, including Columbia University. In 1997, Stavans was awarded a Guggenheim Fellowship and has been the recipient of international prizes and honors, including the Latino Literature Prize, Chile’s Presidential Medal, and the Rubén Darío Distinction. He lives in Amherst, Massachusetts.

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11 of 11 people found the following review helpful.
A new way to see...
By A Customer
Deliciously left wing, and direct and powerful, Ilan Stavans is not afraid to stand and be counted and he knows that you might not like what he has to say. And what he has to say is " Look here. This is good. This is powerful."
He reaches out to inform -- and celebrate the culture-- with authority and panache. He speaks the truth about the oppressed and the oppressor and his book pulls no punches in a direct attack on any hint of a poor Latino self-image. No time for pity here because the time for ascendance is coming.
This book is a necessary shakeup. It's a primer, albeit uneven at times, to folks outside the Latino community and a step in reaching out to those who don't know the truth of their (varied) civilizations.
Rich and potent, this opinionated polemic stands out as a tool to understanding and pride.

17 of 19 people found the following review helpful.
A great idea destroyed (as many are) by academe
By sam lopez
My joy at hearing about a cartoon history of Latinos (not, you may notice, Latinas or even Latina/os) illustrated by Lalo Alcaraz was tempered only slightly by hearing the editor (not, I'm sorry Mr Stavans, the author) was self-styled Mexican kitsch authority Ilan Stavans. "A possible resource for teaching!" I thought. Reading the book, however, was such a great disappointment that I doubt it's going to make the cut for the classroom.
Without denigrating at all Lalo Alcaraz' art, the book fails on several levels, not the least of which is originality. The first question I asked myself was "Who was this written for?" The introduction to what could have been a revolutionary book seems to veer between being too clever for its own good and winking in the direction of academics, intimating somehow that "comics" are a kind of Latino cultural icon that is kitschy and therefore useful for transmitting ideas. Stavans hasn't done much work on cartoons or comics, or the notion that cartoonish comic art is more (or less) appropriate to represent Latino history would have been more informed. Alcaraz' talent rises above this rather mediocre beginning and keeps the reader amused, even while Stavans (as a cartoon Mini-Me) keeps popping up exclaiming the inevitability of historical bias, insisting on the futility of "truth" in history, and generally sounding defensive. Instead of acknowledging the real social and cultural impact of how history has been and gets transmitted, Stavans seems to want to exist in an academic, vague vacuum, which he may believe protects him or makes him appear to be unbiased-- it does neither. Even some of us academics know that.
More troubling, and the key to a two-star review of this text, the book cribs horribly its history from better texts, the most particular offenses being those against the Elizabeth Martinez-edited "500 Years of Chicano History". Several images (MANY images) are culled from that fine picture/word text-- somewhat surprisingly, since Alcaraz has talent galore. Martinez' book, far more complex in its use of images and commentary, should be read before this cartoon history. Also at stake is Stavans' perception of historical importance. We know from the text he loves Richard Rodriguez, but when we finally get to the real (non-idealized) Latinas, we get a few of them drawn on one page, and a digression all too brief of their importance. In what way was this book supposed to educate, inform, or revolutionize when it remakes history in the pattern of most history books before it? Reread Acuna's "Occupied America" and "500 Years" if you'd like to see history-as-usual turned on its head.
A book which perhaps would have been better if left to Alcaraz alone, Latino USA trips over itself and its editor's need to academize and, ironically, oversimplify in trying for an audience (ANY audience). Next time, aim for the Academy, Mr. Stavans-- it deserves the hit better than Latinas and Latinos who are still looking for the past to make sense of the present and prepare for the future. Meanwhile, I'll keep reading L.A. Cucaracha.

8 of 9 people found the following review helpful.
El Profe Y La Cucaracha
By Bruce Crocker
Ilan Stavans studies and teaches Latino and Latin American culture and most recently authored Spanglish: The Making Of A New American Language. Lalo Alcaraz reaches the public on a daily basis through his most excellent comic strip La Cucaracha. Together they have joined to take the reader on a trip through Latino USA: A Cartoon History. Biting and sweet, biased and fair, incomplete but thorough, Latino USA is a good way to introduce yourself to the history of the majority minority in the United States. The scholarship is tight and Alcaraz's art makes it go down easy. I can't wait to get my copy into the school library, where I hope some of my not very cosmopolitan anglo students and not as self-aware as they could be latino students get pulled in by the drawings and learn a little history. I highly recommend this book!

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[L774.Ebook] Free Ebook Theatre: Collaborative Acts (4th Edition), by Ronald J. Wainscott, Kathy J. Fletcher

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Updated in its 4th edition Theatre: Collaborative Actsstimulates creative thinking and discussions of artistic, social, and ethical questions through its interwoven themes of theatre as culture, collaboration, spatial art, and a fusion of the past and present. It emphasizes the diversity of purpose and effect of theatre, and the collaborative nature of the theatrical process.

 

• Sales Rank: #45377 in Books
• Brand: Brand: Pearson
• Published on: 2012-01-18
• Original language: English
• Number of items: 1
• Dimensions: 10.70" h x .70" w x 8.40" l, 1.58 pounds
• Binding: Paperback
• 384 pages

Features

• Used Book in Good Condition

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7 of 7 people found the following review helpful.
and I have to admit that I don't like it a great deal
By Kristen Roberts
I'm currently teaching from this textbook, and I have to admit that I don't like it a great deal. (I didn't choose it.) While its slim size makes it more portable than other books on the subject, I'm afraid that I'm finding the contents almost as slim as the volume itself. It relies on rather dated play examples (citing Caryl Churchill's 1982 "Top Girls" as an example of the changing roles of women in society feels hopelessly behind-the-times,) the prose runs towards purple rather than clear-for-the-non-theatre-major student, and it often seems that the authors are more focused on expressing their opinions than in laying out facts. At the same time, it feels that there's a lack of analysis--examples are tossed out without explanation, seeming to expect that the reader will know the background of, say, "Cat on a Hot Tin Roof" that made the casting of James Earl Jones as Big Daddy not only a matter of color-blind casting. The organization of each chapter is also a bit erratic, ricocheting from one area to another without clarifying connections. It's not the worst textbook I've ever used (I hold that for the "new math" textbook I had in college that didn't make much sense...ultimately because it turned out that it had been sent out with typographical errors...in the answer section,) but I would prefer not to use it again.

0 of 1 people found the following review helpful.
Five Stars
By Tandra Matthews
Item as described.

0 of 1 people found the following review helpful.
Five Stars
By Vanessa pina
Used and kept well

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[F856.Ebook] Download Ebook Understanding Strategy, by Geoffrey P. Chamberlain

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Most organizations have a strategy that describes where they are going, why they are going there, and how they will get there. It is often useful for us to understand these strategies: if we do, we can interact more successfully with the organizations.
Understanding Strategy sets out a theory of strategy based on four factors: what it is, the forces that shape it, the processes that form it, and the mechanisms it relies on to take effect. The book presents a uniquely clear, specific conception of strategy, making it possible to analyze and compare the strategies of businesses, non-profits, unions, social clubs, administrative or political branches of governments, or even individual people. The explanation is supported by actual analyses of ten real—but anonymous—organizations.

• Sales Rank: #1294096 in eBooks
• Published on: 2011-04-11
• Released on: 2011-04-11
• Format: Kindle eBook

About the Author
Geoffrey Chamberlain is an experienced strategy practitioner. For thirteen years it was his job to propose strategy to the CEO and board of a large, well-known Australian company. During a career spanning executive positions in engineering, finance, information technology, government relations, planning, and a federal cabinet member's staff, he has earned three post-graduate degrees: Doctor of Business Administration, Master of Business Administration, and Master of Engineering Science. He is married with three children, and lives in Melbourne, Australia.

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1 of 1 people found the following review helpful.
A thoughtful take on business leadership, highly recommended
By Midwest Book Review
A directionless company has the direction of nowhere. "Understanding Strategy" is a discussion of business strategy from Geoffrey Chamberlain, a man with thirteen years of being a CEO at a major Australian company. Stating that having a vision, a strategy, and a plan to get where the company hopes to go is what can make or break both the best and worst companies, he offers much insight for one to give direction to their own companies. "Understanding Strategy" is a thoughtful take on business leadership, highly recommended.

0 of 0 people found the following review helpful.
Good Case Studies
By Tax Accountant
A very interesting take on business strategy, based on case studies with CEOs and other business leaders. The notes are extensive and complete. The author did his homework and it really shows.

I would have liked to see more examples in various parts of the world, but it was still an enjoyable read.

This book explores the dynamic between business success and the strategy behind hit. A thoughtful, well-written examination of strategy in the workplace.

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[U704.Ebook] Download Ebook One Last Night, by Melanie Milburne

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When Maya met Giorgio Sabbatini, he married the penniless waif and stray despite her inferior breeding. So her decision to divorce him now is made with a heavy heart. Giorgio belongs to a notorious blue-blooded family, and their duty to maintain its lineage is unquestioning. Unable to give him the heir he craves, Maya knows she has to walk away.

But the ink on their divorce papers isn't given the chance to dry; after one last reckless night of passion, there's a very shocking announcement….

• Sales Rank: #2281858 in Books
• Published on: 2011-05-24
• Original language: English
• Number of items: 1
• Dimensions: 6.62" h x .50" w x 4.21" l, .20 pounds
• Binding: Mass Market Paperback
• 192 pages

About the Author
Melanie Milburne read her first Harlequin at age seventeen in between studying for her final exams. After completing a Masters Degree in Education she decided to write a novel in between settling down to do a PhD. She became so hooked on writing romance the PhD was shelved and soon after she was signed on to the London office of Harlequin Mills and Boon line, becoming the first not previously published Australian author to be contracted for the Presents line in over a decade.

Excerpt. © Reprinted by permission. All rights reserved.
Maya looked at the dipstick in shock. Her throat closed over as if a hand had locked around her neck as the two blue lines appeared Positive.

She sat on the edge of the bathtub, her legs shaking so much she had to clamp her knees together. Hope flickered brightly and then just as quickly waned.

It couldn't be true.

She took a deep breath and looked at the stick again. She blinked once, twice, three times but the lines were the same as before.

The doorbell suddenly rang with an incessant peal and she sprang to her feet, her heart knocking against her chest wall like a pendulum pushed by a madman. She quickly stashed the test kit in the nearest drawer beneath the twin basins and took a long slow breath to steady herself.

Gonzo was already at the door, barking joyfully in greeting, but Maya didn't need the dog's behaviour to signal to her who was at the door. No one rang the doorbell quite the same way as her soon-to-be ex-husband Giorgio Sabbatini did. He always pressed it too hard and for too long. He was summoning her and he clearly would not be taking no for an answer.

Maya fixed a deliberately cool expression on her face as she opened the door. 'G… Giorgio,' she said, hoping the catch in her voice wouldn't betray her. 'I thought you were sending one of your staff to pick up Gonzo. Isn't that the arrangement we agreed on?'

'I decided to come in person this time.' He bent down to ruffle the ecstatic dog's ears before he rose back to his full height, his tall frame towering over her. His dark brown eyes glittered with a sardonic light as they met hers. 'I am quite surprised to find you at home,' he said. 'I thought you might be out with your new Englishman lover. What was his name again? Hugh? Herbert?

Maya bit the inside of her mouth, wishing, not for the first time, she hadn't gone on that stupid blind date set up by a friend from her yoga class. 'Howard,' she said tightly. 'And it wasn't anything like the press reported it.'

One of Giorgio's brows lifted in a cynical arc. 'So he didn't rip your clothes off in the hallway of his apartment and have his wicked way with you?'

Maya threw him a venomous look as she closed the door behind him with a snap. 'No,' she said. 'That is more your style, is it not?'

He gave her an indolent smile which made every hair on the back of her neck lift up in reaction. 'You were with me all the way, caral he said in a tone that was gravelly and rough and so deep she felt a guilty shiver of remembered pleasure cascade down her spine and bury itself in that hot secret place between her thighs.

Maya turned on her heel rather than face him with her colour so high. She still cringed in shame at how she had behaved the night of his brother's wedding. She still wasn't exactly sure what had precipitated it. Had it been the champagne or the pain of finally letting go? Break up sex, that was what it was called. It didn't mean anything, certainly not to him. He had probably bedded several women since they had separated. According to the latest press report, he was currently seeing a lingerie model based in London. Reading that had been like a dart to Maya's heart but she would rather die than reveal that to him.

She felt him come up behind her, her skin prickling all over and her nostrils flaring as she breathed in his citrus-based aftershave overlaid with his particular male smell. All her senses—the ones she had sworn would always be switched to neutral when he was around—turned to full throttle. She felt her heart give a stutter when his hands came to rest on the top of her shoulders, her breathing stopping altogether when his tall body brushed against hers from behind.

'You smell nice,' he said, bending his head so his mouth almost touched the side of her neck. 'Is that a new perfume you are wearing?'

Somehow she got her voice to work. 'Get your hands off me, Giorgio,' she said. Before I turn around and fall into your arms and make a complete and utter fool of myself all over again.

His hands tightened for a fraction of a second, long enough for her heart rate to go up another notch. 'Our divorce isn't final until the last of the paperwork is sorted,' he said, his breath lifting the hairs that had come loose from her makeshift ponytail. 'Maybe we can make the most of the time before the ink dries, hmm?'

Maya knew what this was about and it hurt much more than the lingerie model. It wasn't their broken marriage he was fighting for, it was his fortune. The Sabbatini family was as good as Italian royalty. When she had married Giorgio five years ago there had been no prenuptial agreement prepared. It was an unwritten, unspoken law: their marriage was meant to last, as every other Sabbatini marriage had in the past. But Maya wondered if any other Sabbatini marriage had endured the heartache theirs had and survived.

She very much doubted it.

She turned to face him, her heart tightening all over again as she looked into his inscrutable dark-as-night eyes. 'What do you want?' she asked.

His thumbs started to knead her knotted shoulders until she was sure she was going to melt into a pool at his feet. She fought the response, clamping her teeth together as she put her hands against his chest to push him

away. 'Will you stop touching me, for God's sake?' she railed at him.

He captured her hands effortlessly, holding them in one of his as if they were a child's. 'It was good that night, si?' he said. 'I can't remember a time when it was better, can you?'

Maya swallowed unevenly. She had tried so hard not to think of that night, how wonderful it had been to make love with such abandon. No temperature or ovulation charts, no hormone injections—just good old-fashioned bed-wrecking sex, except they hadn't quite made it to the bed. But this visit: was it about a rerun of that passionate night or a truce to secure his assets?

'Giorgio.that night was a crazy, stupid mistake,' she said, not trusting herself to hold his gaze.

She pulled her hands out of his and moved away, crossing her arms over her middle. It was too soon to tell him, of course it was. It would jinx things just like before. How many times had she held up the dipstick in joy, only to have her hopes and dreams smashed like priceless porcelain on a pavement a week or two later? There were no guarantees this time would be any different. If it wasn't meant to be, at least Giorgio would be free to move on with someone else who could give him what he wanted most. They would both be free to move on. She had wasted five years of his life, not to mention her own. He was thirty-six years old. Most of his friends and colleagues had two or three children by now.

She had given him none.

Giorgio followed her into the tiny salone. Maya felt his gaze on her, the heat of it, the slow burn of it peeling every layer of her skin until she felt raw and exposed. She had to hold herself together. She couldn't come unstuck and get all emotional and needy in front of him. She was supposed to be over all of that now. She had worked hard at it, working out new priorities, new directions, none of which included Giorgio. Cool and in control was the only way to go with him. She had to prove to him that he no longer had any emotional or sensual power over her. She was her own person now, determined to move on with her life.

She was stronger now, much stronger. The six-month separation had done that for her. She no longer lived in the shadow of Giorgio's money and prestige. She was making a way for herself, providing for her future by restarting her career, which she had naively cast aside in order to fit in with what Giorgio and his family had expected of her. She was quite proud of what she had achieved in the time they had been apart. She had been looking forward to starting afresh until this latest hiccup had thrown her off course. Could he see the secret she was trying to hide from him? Was there some clue on her face or in her body, even at this early stage? He seemed to be looking at her so intently, his dark gaze so piercing she felt exposed and raw, as if he could see into her soul.

'What is this I hear about you moving to London?' he asked.

She faced him with a set mouth, her shoulders pulled back in determination. 'I have an interview for a teaching position at a fee paying school. I am on the shortlist.'

A frown brought his brows together. 'Are you going to take it if it is offered to you?'

She let her arms drop by her sides in an effort to look composed. 'I don't see why not,' she said, sending him a pointed look. 'I have nothing to keep me in Italy.'

Most helpful customer reviews

17 of 17 people found the following review helpful.
Wow, a more realistic and balanced harlequin novel
By A. A.
what seemed to start off as a typical fairy tale - Maya, a poor orphan and Giorgo, a wealthy business man complete with a loving family- starts heading towards a disasterous end as the couple fail to produce the much awaited heir to the family dynasty. Four miscarriages, lots of pressure from the family and media, being surrounded by fertile couples with kids and the increasing friction between the couple have them in the throes of the divorce process. And, yes, as the title aptly puts it, the couple had one last night at Giorgo's brother's wedding with unexpected consequences...

Admit it, in most harlequin novels, the guys are well, jerks, idiots, arrogant guys, but they get away with it by being portrayed as alpha males, dominant, arrogant, traditional, stubborn, etc. (Though i suspect if the shoe is on the other foot, the females would be called, er hum, less pleasant words). Thus, I was pleasantly surprised to find that the novel was more balanced. It was not a case of the guy being an arrogant ass, with absolutely no feelings for the heroine whatsoever, treat her like dirt and suddenly hey presto, finds that he loves her! (this kind of scenario often makes you think, how can a guy who loves a girl treat her that way?) This book is more naunced and you get to see some of the psyche and thinking behind the male lead in the novel. I liked that the hero did seem to sincerely care for the heroine.

I found this book thoroughly enjoyable and quite unique as it is about a married couple going through a divorce. Not because of the typical "misunderstanding" that a (insert male or female lead name) had an affair, rather because of more realistic issues like a lot of friction between the couple, which was aggravated by their failure to produce a long awaited heir for his family fortune. All in all, a really good read!

4 of 4 people found the following review helpful.
Made the Grade: The Sabbatini Brothers Series, Book 2
By Jess @ From Me to You ... Book Reviews
3 out of 5 stars! This book deals with what it takes to hold a family together while dealing with plenty of tragedies going on around them. It's a very sweet book. I enjoyed Maya's newfound independence, in addition to how Giorgio and Maya build back their relationship.

On a personal note, I liked this book more because I could relate to the uncertainty of being pregnant and not sure, if it would last but still hanging out to the hope of it. The way Maya's struggle was written made this book more humbling and relatable to me.

I recommend it to anyone who likes to read quick, sweet, and spicy romance books!

Review By: From Me to You ... Book Review
(read more of this review and a teaser on my blog)

7 of 9 people found the following review helpful.
An Incredible Romance. "Sabbatini men play for keeps..losing is not in their vocabulary.."
By Marilyn Shoemaker
THE SABBATINI BROTHERS Three powerful playboys from the richest dynasty in Europe! Ruthless, irresistible...impossible to tame?

One Night Heir - was a sexy and turbulent love story by Melanie Milburne. It's part of her Sabbatini Brothers series and it's Girogio and Maya's love story.

What a predicament......Maya is soon to divorce her husband, had break-up sex at his brother Luca's wedding and now she found out after all of this time, she was finally expecting his baby and heir. The entire family had been praying this would happen. No more temperatures or ovulation charts, injections. She had felt in her marriage that she had wasted five years of his life by not giving him a baby. He was moving on and he was seeing a lingerie model. She would tell him later when it was safe to do so.

I could just imagine how hard it was from this couple. When she met Giorgio years ago, it was like a fairy tale. He had showered her with diamonds and she believed she would one day get the happy ending. He needed a wife and an heir. Each of her miscarriages had been hard on her, they were her babies and she had named them all. However, Girogio didn't want to discuss any of it. Of course, there were also the family dinners when members mentioned how one of his friends had fathered a child. How horrible for Maya. She had been like a business transaction and they had both failed their marriage.

Their marriage was soon to end. However, Girogio stopped by to invite Maya to his grandfather's 90th birthday party, because he wanted her there.only to find out Maya was leaving for England and hopefully take a teacher's position. And then he dropped the bomb, his grandfather was dying and he wanted her to move back home with him and pretend they had made up. He was going to stay at her rented villa until his was refurbished. And then while preparing for bed, he found the pregnancy test and exploded. He also reflected on everything in his marriage, the death of his father, the death of his infant sister and how at times he felt he had thrust his wife into situations she wasn't prepared for, corporate, family and the press. With Maya being pregnant and would she carry the baby to term? It was also a time for reflection for Giorgio, the past pregnancies and how he reacted.

With the new found information Maya was pregnant, their marriage took on a new dimension. Maya had only wanted her husband to love her and he had wanted to protect her. I don't believe love was in his vocabulary. After he had found his baby sister dead in her bed, witnessed his father have an affair, his mother's despair, and his father's death it had made him to be strong for his family. They had a second chance at happiness and a baby and I wondered could this couple make it work? Because for Girogio, emotion frightened him, when you loved it was taken away from you.

Their road was a rocky one but in the end they seemed to share their feelings more, Girogio seemed to mellow more and even though he hadn't loved her when he married her, in the end he realized he did. Their dream of having a child, a son came true, Marco...."their gift from God".

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Commissioned by the Wallace Foundation, this book explores research indicating that youth are learning new ways to engage in the arts on their own time and according to their own interests. Digital technologies, such as production tools and social media, allow youth to create and share their art. Kylie Peppler urges educators and policy makers to take advantage of «arts learning opportunities» and imagine a school setting where young people are driven by their own interests, using tablets, computers, and other devices to produce visual arts, music composition, dance, and design. This book gives educators an understanding of what is happening with current digital technologies and the opportunities that exist to connect to youth practice, and raises questions about why we don’t use these opportunities more frequently.

• Sales Rank: #2925137 in Books
• Published on: 2013-12-30
• Original language: English
• Number of items: 1
• Dimensions: 8.80" h x .50" w x 5.80" l, .55 pounds
• Binding: Paperback
• 142 pages

Review
«This is a careful and thoughtful study. Kylie Peppler shows how forms of learning that we associate with the arts actually offer a dynamic way of supporting new creative production and making activities with digital technologies. In a wide-ranging and timely review she argues that developing these capabilities in a range of settings including the school, homes, and in the community will contribute to making education more exciting and relevant for the twenty-first century. Full of constructive and practical advice.» (Julian Sefton-Green, Principal Research Fellow, Department of Media & Communication, London School of Economics; Honorary Professor of Education, Hong Kong Institute of Education)
«This book introduces a new and growing field of research on adolescent and young adult learning. It focuses on the powerful desire of youth to create, use, and critique the arts and how that desire motivates young people to learn outside of school. The book brings together foundational work done in the past and insights from new studies of learning through the arts and technology to make recommendations for youth arts programming and research. It is a valuable resource for researchers, educators, program developers, and other stakeholders interested in improving the lives of adolescents. Undoubtedly, this book will help to move this emerging field forward. Every arts educator - every educator - should read this book.» (Kerry Freedman, Professor, Art + Design Education, Northern Illinois University)
«Kylie Peppler brings together a wonderfully diverse set of research and insights, showing that learning in the arts is most powerful when people can organise their own learning, driven by passion, building knowledge and skills just because they want to. This book is essential reading for everyone interested in digital creativity.» (David Gauntlett, Professor in the School of Media, Art and Design, University of Westminster, United Kingdom)

About the Author
Kylie Peppler is an assistant professor of Learning Sciences Program at Indiana University. An artist by training, she engages in research that focuses on the intersection of arts, media, new technologies, and informal learning. Peppler’s dissertation work on the study of the media-rich programming environment Scratch resulted in the book, The Computer Clubhouse: Constructionism and Creativity in Youth Communities. Peppler has since collaborated with Leah Buechley, Yasmin Kafai, and Mike Eisenberg to study etextiles, which resulted in the forthcoming co-edited volume titled, Textile Messages: Dispatches from the World of E-Textiles and Education. Her current work on creativity, computation, and media arts in youth communities is supported by the National Science Foundation and the John D. and Catherine T. MacArthur Foundation.

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• Published on: 1709
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